The Mullings Group is constantly on the lookout for outstanding new team members, especially Executive Recruiters. This campaign is designed primarily for LinkedIn to showcase the people, the culture and the impact that The Mullings Group has on individuals and companies globally. The goal of the campaign is to get the best of the best to ‘lean in’ and contact the leadership team directly to inquire about joining the team.
This is an ongoing campaign developed by The Agency@TMG
Strategized and executed this ‘moving the needle’ campaign to help counter negative perceptions due to timber related operations and manufacturing operations by Georgia Pacific. These very simple spots are designed as digital roll-ins to be targeted geographically to connect the consumer with the sustainability practices in place at GP Operations nationwide.
Creative Director, Director, Producer, Writer.
When attracting the best talent, you must showcase who and what your company is all about. It’s called Company Culture. For many it means creating some artificial, beautiful video that has absolutely no base in reality. For The Mullings Group, it meant showing the real culture, even if it’s not always pretty. You want to be a badass and create a new world for yourself? Take a look at The Mullings Group. A no BS, radical candor team that is building a tremendous future.
One of the most fun projects to be a part of ever! I was fortunate to be asked to help re-invent the look of Food Network’s Good Eats. Alton Brown and I collaborated on a series of original animations for Seasons 9 - 12 to help illustrate history and some science in entertaining ways. I also helped transition the series to high definition and provided all HD Post services including Editorial, Color Grading and Animation. I was proud to be called Alton’s “Super Geek” in the Behind the Eats episode. Yes, it was just as much fun as you could imagine to be a part of this amazing series.
Producer, Storyboard, Animator, Editor, Colorist
Delivering storylines in as little at 15 seconds is a creative challenge. Here’s a collection of spots I’ve both created and collaborated on for a national and international audience.
When I arrived at The Mullings Group, “Careers On The Line” was a weekly, audio-only podcast with video used simply to create teases for a LinkedIn audience. I redeveloped Careers On The Line as a video show in addition to the audio podcast for a wider audience reach.
Starting first with two cameras, the episodes are now filmed with four cameras including a roving gimble camera giving a behind the scenes view of the setup. Each episode is simultaneously on SoundCloud, iTunes, YouTube and Vimeo allowing the audience the option to either listen to or watch the show. The series is released weekly on Wednesday mornings.
More evolutions of the series are planned as we grow out the show.
One of the most difficult projects I have ever produced and we produced this from concept to completion in just two weeks.
The task was to present a message that ‘it’s ok to have difficult discussions’ on race and social inequality framed around the 50th Anniversary of the assassination of Dr. Martin Luther King Jr. I interviewed over a dozen employees in Atlanta and Memphis and also met with the staff of the National Civil Rights Museum. What followed was a very frank and sometimes raw discussion that shows there are still wounds that need to be healed in America today.
The MLK 50 video garnered over 27,000 views in less than 10 days on Facebook, shattering the most views by any Georgia-Pacific video. The project sparked a new series of internal live streaming conversations on what GP as a company can do to better racial and social inequality in their local communities.
Creative Director, Director, Producer, Writer
An original campaign to show that not all boxes are created equal. Designed to create a connection with both B2B buyers and the consumer, “Box” takes us through his story from conception to delivery of a special package. Using a combination of live action, stop action and digital animation, the spot hit a chord with the holiday audiences and proved to be a winning campaign for GP.
Creative Director, Director, Writer, Co-Animator.
A ‘moving the needle’ campaign to create storylines vs. reactionary storylines to form connections with the consumer through employees.
Combined Americana with modern digital storytelling to show that Georgia-Pacific is more than just a brand. They’re proud to be over 30,000 great people, making great products in communities all across this great land. Join us on “We Are” as we travel the highways and byways to introduce you some of these amazing people and their hometowns.
Series Creator, Creative Director, Director, Producer, Camera, Writer, Graphics, Co-Editor.
Creating original series from scratch or helping others to take their concept and produce them is one of my strongest abilities. Not only to strategize and design the creative, but to put together a solid production plan to execute the design from script to delivery
My roles for these series include: Creator, Producer, Director, Writer, 2nd Camera, Graphics, Post Supervisor, Editor and Colorist. Drop me a line if you’d like to know my role for a specific project.
These series are my creations: Southern Scoops, Ice Cream Nation, We Are, Parties by Number, Tree Brothers.
I am my mother’s son growing up in an Italian kitchen so my all time favorite passion is food and cooking. Combining that passion with creative production is pure heaven. Here’s a collection of recipes, quick tips, series and assorted other culinary fun.
The challenge was to create a campaign to excite the next generation about opportunities in manufacturing. Today’s manufacturing facilities are technologically advanced, not the dirty, grimy factories of yesteryear. I built a storyline to connect junior high and high school students to the employees through personal interests, miniature camera videography, fast editing style and the use of visual effects and graphics.
Creative Director, Producer, Writer, Director, Colorist
Original series created for the Gwinnett County (Georgia) Department of Water Resources for use in the Gwinnett County Public School System. Inspired by Bill Nye Science Guy, our Wade The Water Guy shows us how important it is to keep our waters clean while introducing some incredible water protection efforts underway in Gwinnett County.
Designed to inspire science and curiosity, this series goes way beyond the "normal educational videos" and have created something to engage the students in the largest school district in Georgia. I’m especially proud of my props in this series, we had a LOT of fun designing and building them.
Series Creator, Producer, Writer, Director, Prop Builder, Animator, Colorist.
You had me at “Blue Angels.” I was brought into this branding and promotional project through Jitterbug Media to push the post-production over the top. Producer / DP Cheryl Collins had done an amazing job filming the Blue Angels on location with a Canon 5D but needed a polished finish to the job. Working with Cheryl, we first developed the storyline and pacing and then I created a cinematic look to really push the piece over the top. The result is an awesome close up and personal look at the US Navy Blue Angels.
This American Land travels the United States looking for solutions to keep the environment safe and enjoyable for the next generation. Airing on PBS stations nationwide, I helped launched the series and was the Managing Producer crafting storylines and Colorist for the first three seasons.
A fun project created in collaboration with the Science North Museum, Greater Sudbury, Ontario, Canada. They approached me after seeing the work we’d done with Gwinnett County Schools and their water science series. This time, we’d be talking energy and energy innovations for the next generation.
Developed for the classroom and museum use, this project had to be delivered in both English and French for this region. As I don’t speak French, that was a fun challenge. What we delivered was a really fun and quirky project that pulled from my Good Eats work and the work in the water science series.
Hats off to the actor who did a brilliant job in both English and French.
Long-form media creation and documentaries in particular are still my favorite form of storytelling. Starting with the blank canvas and a series of questions, unscripted documentaries bring out real emotions, real stories from real people.
I have long history of health and global health storytelling having worked with clients like The Carter Center, Pfizer, Vestergaard-Frandsen, Bill and Melinda Gates Founation, Merck and the Mectizan Donation Program. Making a connection with the viewer is a tremendous challenge when you have to present sometimes difficult imagery and storylines. But the payoff is incredible when you affect change.
There’s really no reason for a portfolio page dedicated to Molly The Wonder Dog other than the fact that she is….. a Wonder Dog. And she’s quite funny. That first video with the camera test is among Molly’s most memorable moments ever, with or without a camera.
#WallyCam is decidedly low tech and casual where I bring out the inner “Phil Donahue” in me. It’s my one man band interviewing machine that generally comes out at geeky, tech events like the National Association of Broadcasters convention or on the road.
As a storyteller, I love talking to people about most anything. #WallyCam is a natural extension of that and allows my ‘natural ham’ to come out on camera.
Yes, #WallyCam is available for your next event, drop me a line on the Contact Page.